Me Cago en la Ostia

  • Ask me anything
  • Archive
  • May 23, 2013 3:07 am
    separatethisbodyfromymind:

Self combustion by *moonxels

    separatethisbodyfromymind:

    Self combustion by *moonxels

    (via go-fuck-yourself-e-e)

    Like Reblog
    via separatethisbodyfromymind
    ➜
  • May 23, 2013 3:07 am
    h4ilstorm:

(by sat1958)

    h4ilstorm:

    (by sat1958)

    (via kurruman)

    Like Reblog
    via flickr.com
    ➜
  • May 23, 2013 3:07 am
    blue-voids:

Ho Jae Kim - Dead, 2013 - conté crayon on paper

    blue-voids:

    Ho Jae Kim - Dead, 2013 - conté crayon on paper

    (via l-ifter)

    Like Reblog
    via blue-voids
    ➜
  • May 23, 2013 3:07 am

    (via go-fuck-yourself-e-e)

    Like Reblog
    via a-bstracto
    ➜
  • May 23, 2013 3:07 am

    (via kurruman)

    Like Reblog
    via bullet-proof-idea
    ➜
  • May 23, 2013 3:07 am

    (via go-fuck-yourself-e-e)

    Like Reblog
    ➜
  • May 23, 2013 3:07 am

    (via itsmeashiiie)

    Like Reblog
    via operaoneyes
    ➜
  • May 23, 2013 3:07 am

    (via kurruman)

    Like Reblog
    via burning-this-city-to-the-ground
    ➜
  • May 23, 2013 2:58 am

    (via boopbunny)

    Like Reblog
    ➜
  • May 23, 2013 2:58 am

    (via boopbunny)

    Like Reblog
    via membersonlyguy
    ➜
  • May 22, 2013 8:00 pm

    (via chupalaprofe)

    Like Reblog
    via jaidefinichon
    ➜
  • May 22, 2013 7:01 am

    wakingupinbakerstreet:

    best day of his life

    (via whambamkittysam)

    Like Reblog
    via ohvegeta
    ➜
  • May 22, 2013 6:14 am

    darksilenceinsuburbia:

    Shannon Hourigan. Light Theory.

    Website

    Like Reblog
    via darksilenceinsuburbia
    ➜
  • May 22, 2013 6:14 am

    likeafieldmouse:

    Roger Ballen - Shadow Chamber (2001-4)

    Like Reblog
    via likeafieldmouse
    ➜
  • May 22, 2013 6:14 am

    artchipel:

    Yang Yongliang (b.1980, China) - On the quiet water - Heavenly city

    Yang Yongliang’s digital manipulations are clever in their inversion of the imagery of Song dynasty painters and he has created works that are themselves visually attractive. His cold, hard urban images possess a layer of romantic beauty with their mists and towering forms. By making his works “beautiful” he has managed to make them much more than a mockery of modern life. Instead they subtly pose the difficult question of whether urban life can be simultaneously loathsome and possess an intrinsic beauty. Yang carefully made these riffs on Southern Song landscapes because the earlier works have long been regarded in China as a sublime expression of nature’s beauty and mystery. Are Yang’s images meant to be taken as expressions of a city’s beauty or of the terror of urban encroachment. Fantastic rediscovery thanks to OFOTO Gallery.

    Inkjet print on Fine Art Paper
    © OFOTO Gallery collection

    [more Yang Yongliang]

    Like Reblog
    via artchipel
    ➜
Archive Older ▶
  • Archive

Paper Stacks, a collaboration by FiftyThree and ALLDAYEVERYDAY.